This below-the-radar Thai-American label takes its next big step – to Milan
This below-the-radar Thai-American label takes its next big step – to Milan
Lifestyle > Fashion |
January 30, 2019 / by China Daily Lifestyle Premium
“Meet your new best friend, Boyy. He’ll be better than any male in your life – more stylish, well-built, will coordinate with your plans and will hold all of your belongings for you.” So runs the tagline on the website of progressive fashion retailer Browns on London’s South Molton Street above a list of covetable streamlined bags and shoes made of the highest-quality Italian leather, with names such as Karl 24, Green Romeo, Multicoloured Bobby and Blue Deon.
Boyy is Italian-sourced, a label previously based in New York, then in Bangkok and soon to be relocated to Milan, that espouses the perfect combination of cool and classic – style beyond fashion. Your new best friend – if you haven’t met him or her yet – was set up in 2007 as the brainchild of Jesse Dorsey and Wannasiri Kongman, he an American musician and she a former buyer for Bangkok department store Central. The pair met by chance in New York at an event and instantly shared common creative ground in all matters style and aesthetic.
Strolling the streets, Kongman pointed out what she liked when she saw it and, after months of noting It-bags, the pair decided fashion would make more sense if they created the bags themselves. Boyy was born, and its motifs are funky and quaint. With python, shagreen and croc exotica featuring prominently, the design, functionality and luxury of each product makes it a genre unto itself – and a must-have on Instagram, where the bag has been spotted on Kim Kardashian and the like. “Oh, I’m obsessed. Another @boyyboutique bag I need!” enthuses one of Boyy’s legions. “Want now… how to get?” implores another.
For a face during its earliest days, Boyy used then-unknown Thai schoolgirl Chutimon Chuengcharoensukying, more commonly known as Aokbab. The 22-year-old now models, acts, counts 465,000 Instagram followers and represents the house of Chanel in Asia. Writes Olga Yuen, Chanel’s fashion PR in Hong Kong, via email: “Aokbab and Boyy – yes! Totally. The brand really has an eye for style.”
Despite riding the contemporary waves of Instagram, Boyy was desirable long before IG. Like many below-the-radar labels, Boyy’s apocryphal moment came via a chance New York encounter with French singer, model and actress Lou Doillon, the daughter of Jane Birkin. A paparazzi shot of Doillon on the street sporting a Boyy bag, smoking and espousing insouciant French chic, set Instagram ablaze. It-girl Chloë Sevigny followed soon after and in the blink of an eye came a huge order from Colette’s Sarah Andelman in Paris. Boyy grew up – in a shot.
Boyy now sells in more than 85 stores worldwide, including Selfridges in London and I.T (which has carried the brand since 2015) in Hong Kong. “It’s been popular in the market since our first launch in autumn/winter 2015,” says Candy Lau, I.T’s assistant merchandising manager, who oversees Boyy. “It always sells out within two weeks of the launch.”
And to what does she attribute its desirability? “Customers are attracted by its buckle with a masculine shape, as well as its fine quality,” she says, adding that Boyy produced a special bag in celebration of I.T’s 30th anniversary last year. “It also offers mid- and mini-size versions of its Karl and Bobby bags, in addition to its seasonal details of colour blocking and fabrications (such as shearling and PVC), which is fashion-forward and maintains freshness for customers.” Karl 24 has been Boyy’s best-selling product in Hong Kong over the last three years. Boyy has also started producing shoes and sunglasses, and is considering other categories, but won’t rush into them until the time feels right.
And why should it? Boyy’s sales reached US$22 million in 2018 – from a brand that’s still independently run, has no internal PR strategists and does more or less what it pleases. The brand runs four boutiques in Thailand and one in Copenhagen, and Dorsey and Kongman are eyeing Hong Kong and the Middle East. So far, everything has been self-funded.
“Hong Kong is very high on our list, but it’s not so simple,” says Dorsey. He explains that being a 100% independent brand means large corporates want reassurance that the label is affiliated with a big fashion conglomerate or distributor. “We encountered this hurdle in Bangkok when we first started putting down our footprint,” he says. “It’s a challenge we’re familiar with and have succeeded with. It just takes time.”
Despite the move to Milan, Boyy was still based in Bangkok at the time of print. “We are renovating what will be our permanent showroom/apartment in Milan. It’s an incredible space,” says Dorsey. Abundant with design history, the ground floor of the structure was boldly renovated in 1972 by Vittoriano Viganò, Italy’s most luminous brutalist architect, and the space has remained untouched since, capturing a living snapshot into an incredible era. The structure also boasts a huge private garden curated by Pietro Porcinai, one of Italy’s landscape design legends. “When I first saw the space, my jaw dropped,” enthuses Dorsey, who spent seven months closing the deal to acquire the space. “It was instant love.”
While Dorsey and Kongman continue to broaden their horizons, there’s a ton of affiliations to keep them occupied. “We’re exercising the world of pop-ups and exclusives,” says Dorsey. “We’ve been bombarded with requests and are carefully curating the options, along with doing our own pop-up.” He explains that even though the quantities may be small and exclusive, each project requires almost equal energy and manpower as a regular season collection. It’s a lot of work, but it’s clearly worth it – much like the Boyy effect.
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The renowned haute couture house of Poiret is revived through a modern tribute to its namesake founder
The renowned haute couture house of Poiret is revived through a modern tribute to its namesake founder
Lifestyle > Fashion |
January 16, 2019 / by China Daily Lifestyle Premium
Influenced by Eastern cultures, French fashion designer Paul Poiret liberated women from the corset at the beginning of the 20th century. For his namesake maison Poiret’s autumn/winter 2018 collection, the relaunched brand’s artistic director, Yiqing Yin, blends playfulness, movement and personal expression. In this collection, dresses and coats reprise the cocoon shape for which the house’s founder was famed. A dress can be belted or loose, or worn back to front. Pieces such as oversized knits, shawl collars, harem trousers and Greenland lambskin coats express Yin’s pursuits towards minimalism and are imbued with a leisurely spirit. There are a variety of colours, with the classic ivory, grey and black alongside canary yellow and beyond. The concept of the“infinite” skirt can be found in the wrap jumpsuit, in jacquard or liquid silk. Paul Poiret was renowned for the “robe de minute”, a tunic made of two simple rectangles – and the industrial-inspired jewels and heels in this collection echo his groundbreaking designs – a fitting tribute to a master of haute couture.
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Fashion photography, once thought frivolous, has become art’s rising star with a new visual language
Fashion photography, once thought frivolous, has become art’s rising star with a new visual language
Lifestyle > Fashion |
January 16, 2019 / by China Daily Lifestyle Premium
At one time, not so very long ago, the only place to see a fashion photograph was in the pages of a magazine or possibly stuck to the wall of a teenage girl’s bedroom; but things have changed, with museums holding major exhibitions, galleries and auction houses selling fashion images, and publishers constantly releasing new titles devoted to fashion photography. Removed from its original context (the magazine page), fashion photography has become art’s rising star.
The art world has become more receptive to the medium as museums have moved from high art to an all-embracing visual culture. For a long time, fashion photography was seen as exclusively commercial. However, contemporary photographers don’t necessarily conceive of their work as fitting into one single category or medium.
In the 21st century, boundaries between editorial work, advertising work and personal work are now blurring. Digital media have changed the way photography is reported, consumed and shared. With the explosion of street-style blogs, Instagram and Pinterest, fashion photography has become the new visual language.
And where the previous generation of visual icons such as Nick Knight, Paolo Roversi, Peter Lindbergh, Ellen von Unwerth and others set a new bar decades ago and still are, a new generation of photographers, Blommers and Schumm, Solve Sundsbo, Daniel Sannwalkd, Coco Capitan, Viviane Sassen and Erik Madigan Heck, are taking the lead and shooting fashion and beauty in such a way as to challenge the standardized ideals of fashion and beauty.
They reject the notions of the hyper-sexualised body and celebrity driven fashion visions that represented the naked consumerism of the 2000s. Their fashion subjects are distorted and twisted, and the clothing has become a form of draping rather than dressing. Such a visual evolution has been mirrored by the rise of designers such as Demna Gvasalia and stylists such as Lotta Volkova across brands like Vetements and Balenciaga.
Ultimately, as clothes horse has become character and the body has gone from being prop to plot detail, fashion photography has become a lens through which to see new ways of thinking about and discussing race, politics, gender, age and more.
Handpicked by curator and art historian Nathalie Herschdorfer, Beyond Fashion at ArtisTree in Taikoo Place, features 100 of the finest photographic fashion works by more than 40 of today’s leading photographers, along with a selection of films accompanying the still images. (Until February 24, 2019). (taikooplace.com)
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Innovative Dutch designer Iris van Herpen continues to explore what tomorrow’s fashion may look like
Innovative Dutch designer Iris van Herpen continues to explore what tomorrow’s fashion may look like
Lifestyle > Fashion |
December 19, 2018 / by China Daily Lifestyle Premium
Since starting her own label in 2007, Dutch designer Iris van Herpen has been presenting her complex fashion theory through wildly progressive, boundary-pushing creations. In Paris, she released her couture collection for autumn/winter 2018 under the banner of the science-themed Syntopia. Exploring the relationship between the organic and the inorganic, and developments in biology and technology, Van Herpen combines traditional weaving techniques with cutting-edge digitally designed weaving on coats and dresses. Laser-cut wool is woven with leather through parametric file technology and the Mimesis mini corset dresses showcase the soundwave patterns of birds, using unusual materials such as mylar, black cotton, red organza and transparent black acrylic sheets. For the show, Van Herpen collaborated with artists Lonneke Gordijn and Ralph Nauta of Studio Drift, who created a spatial kinetic installation called In 18 Steps, which consists of 18 delicate glass wings that abstractly represent all the different stages of flight.
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Zuhair Murad redefines elegance with his depiction of imperial Russian style
Zuhair Murad redefines elegance with his depiction of imperial Russian style
Lifestyle > Fashion |
December 19, 2018 / by China Daily Lifestyle Premium
Lebanese designer Zuhair Murad has long been renowned for his extravagant court style. His autumn/winter 2018 couture collection was released in Paris and showcases a sense of aristocratic opulence with his depiction of imperial Russian style. Taking inspiration from a variety of Russian icons, from Elizabeth of Russia (famed for owning 15,000 gowns) to Tolstoy’s Anna Karenina, Murad is committed to redefining contemporary elegance in this collection. In Russia, one tradition is that femininity is layered with military elements. Besides the royal touch, the collection also displays a rigorous, masculine flavour. The boyar-inspired jackets are decorated with royal eagle motifs, badges and corded detailing. With golden silk threads and matching short trousers, the dress coat in khaki duchess satin becomes a great example of blending ornamentation and functionality. For a long time, this brand has been a favourite of celebrities. In 2016, Chinese actress Ni Ni wore a white Zuhair Murad dress at the Cannes International Film Festival. The beautiful piece, with its deep V and split hemline design, grabbed a great deal of attention – for all the right reasons.
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Acclaimed Danish designer Henrik Vibskov continues to push the sartorial limits
Acclaimed Danish designer Henrik Vibskov continues to push the sartorial limits
Lifestyle > Fashion |
November 21, 2018 / by China Daily Lifestyle Premium
Previously the drummer of rock band Luksus, Danish designer Henrik Vibskov is committed to creating a fantasy world filled with outlandish, surrealistic elements. After graduating from Central Saint Martins in 2001, Vibskov has become an eminent designer who pushes as many boundaries as he can. After winning the 2011 Torsten and Wanja Söderberg Prize, which is awarded annually to “an active Nordic designer or craftsman”, he has risen to prominence as a leading figure among Scandinavian designers. Deeply influenced by his rocker experience, he believes that fashion should be a broader concept that includes music, dance and much more.
During Paris Fashion Week for the men’s spring/summer 2019 collections, Vibskov delivered his latest collection, with the theme Due to Sudden Weather Change. Inspired by the wind, which humankind uses in various ways, it details the designer’s idea that wind can be both a friend and a foe. Vintage-like “soap-opera” sweaters, Madras button-ups and other runway pieces are prime examples of his unique aesthetic standards. About the new collection, Vibskov explains that it’s a visualisation of how people can work with the wind – rather than against it.
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In less than a decade, Vestiaire Collective has become the go-to for online sales of second-hand fashion
In less than a decade, Vestiaire Collective has become the go-to for online sales of second-hand fashion
Lifestyle > Fashion |
November 21, 2018 / by Kitty Go
There was a time when eBay was pretty much the only viable re-commerce platform around. But what if, in the years before 2009, you were a fashion lover who wanted to buy or sell top-quality designer clothing or accessories? Aside from eBay and its notorious unreliability for high-end goods, there was the inconvenience of buying from individual bloggers or (millennial shocker!) brick-and-mortar second-hand shops.
For Fanny Moizant, one of the six founders of online designer resale boutique Vestiaire Collective, it was that inconvenience of buying from bloggers that nudged her to start the online luxury consignment app, which currently has more than seven million users. “The lightbulb moment for us was that the girls with fashion blogs couldn’t maintain wearing new outfits every day and had to sell what they wore on their blogs,” explains the French tech entrepreneur, who moved from Paris to London in 2013, then to Hong Kong last year. “I was personally interested in buying, but the correspondence and payment was very inconvenient. I had to send an email, then a cheque or money transfer… It was a pain. So I decided to bring fashion people onto one platform based on trust, with a smooth trading process.”
Moizant wanted the opposite of a timed bidding system like eBay’s. The app has a suggested selling price, but the final price is determined by the community after discussions (aka bargaining) between buyers and sellers. Bidding is market-driven, where people can strike a deal as soon as both parties agree on a price. The app makes buying and selling easy – members don’t have to keep checking back like auctions or eBay. To emphasise how fast buyers react to desirable stock, Moizant firmly says, “A good product with a good price goes without bidding.” Vestiaire Collective collects anywhere from 25% to 40% commission on sales.
In terms of positioning and perception, Vestiaire Collective is the most luxurious and fashion-forward of the re-commerce sites. There’s something for everyone, from Zara (“super-special exception”) to exclusive Supreme drops, along with classics like Chanel, Louis Vuitton, Gucci and Hermès. The app currently has more than a million products online and accepts 35,000 new consignments every week. “This isn’t just a luxury website; it’s for everyone who loves fashion,” explains Moizant, who’s wearing a second-hand striped Chanel T-shirt and current-season Celine palazzos, which she will be selling online soon. “We want to show a panorama of fashion that reflects contemporary style of mixing high and low. Who wears head-to-toe Hermès? Some members are from the industry or in media, and many more from other careers or lifestyles – but the common thread among all our users is their passion for fashion.”
Moizant and her partners have also identified a changing attitude towards the consumption, value and ownership of fashion items. Aside from being a trading platform, the app serves a new generation who values sharing and usage more than possession, who is addicted to newness, who doesn’t own a lot for various reasons, yet who has one eye on value and another on style. Vestiaire Collective ran a survey among its members and discovered that “buyers and sellers have a value mentality more accurate than ever,” explains Moizant. “When they buy something [at retail], they have a resale value in mind. Investment dressing used to be cost-per-wear, but now it’s ‘How much do I recoup if I spend $1,000?’”
She continues, “Vestiaire Collective facilitates a new and inspiring way of consuming fashion. You want new things, but you have to let go of others. We are closing this circle. This is not just a way of recycling, but slowing the pace of consumption, because it is going very fast – way too fast.”
Vestiaire Collective remains a closely held private company. It has raised more than €100 million (including US$20 million from Condé Nast in 2013); according to Moizant, funding was “never a problem.”
Being French was never a problem either – and in fact, has proved to be a great advantage. Although 65% of the business is generated outside France, its homeland is still the single biggest buying-and-selling market.
“In this particular industry, a Parisian image gives undisputed credibility and heritage to any luxury brand,” elaborates Moizant. “It’s a good thing – and we are proud of our French DNA.”
The company’s next biggest markets are the UK, Germany and the US, with “developed Asia” (Hong Kong, Singapore and Australia) quickly gaining more market share. Moizant also claims that China, Korea and Japan have grown organically for the company without any PR or marketing effort. Welcome to the future, where fashion is now at your fingertips.
1. Use the app and read instructions carefully. Detailed photos and presentation are very important.
2. Don’t try to hide defects, because our curation team will definitely see them when they receive your goods for vetting.
3. Put yourself in the buyer’s shoes and ask yourself how much you would pay for your item. If you do, you’ll understand rejection (if any) and become a successful seller.
How the East inspired Yves Saint Laurent
How the East inspired Yves Saint Laurent
Lifestyle > Fashion |
November 7, 2018 / by China Daily Lifestyle Premium
Yves Saint Laurent conjured literal, literary and imaginary visions of Asia to distinguish his high-fashion creations. He reinterpreted the sumptuous cloaks of Indian sovereigns, while Imperial China inspired the autumn/winter 1977 collection. And though he hadn’t visited Beijing at that point (he ultimately made his first trip in the 1980s), he remarked: “Beijing remains a dazzling memory. The China that I had so often interpreted in my designs was exactly as I had imagined it. I have already dreamed about it so much.” He was fascinated by Japan, too, and a superb uchikake kabuki costume and a selection of prints representing courtesans bear witness to this passion. As the first temporary thematic exhibition since the opening of the Musée Yves Saint Laurent Paris in October 2017, Yves Saint Laurent: Dreams of the Orient brings together more than 50 haute couture designs inspired by India, China and Japan. The world has got a lot smaller since, but the aesthetic ambition still feels large and dreamy.
Among the stranger things seen at New York Fashion Week was a streetwear pop-up featuring images of famed Chinese chilli sauce brand Lao Gan Ma
Among the stranger things seen at New York Fashion Week was a streetwear pop-up featuring images of famed Chinese chilli sauce brand Lao Gan Ma
Lifestyle > Fashion |
November 7, 2018 / by China Daily Lifestyle Premium
At the recent New York Fashion Week, Tmall China Day vaulted Chinese fashion designers into the public’s eye. Organised by the Council of Fashion Designers of America and Chinese online retail giant Tmall (owned by Jack Ma’s Alibaba Group), three rising Chinese brands – JNBY, Particle Fever and Angel Chen – made their runway debuts.
Amid all the excitement, one famous Chinese woman who has absolutely nothing to do with the world of fashion also attracted a great deal of attention. She’s 70-year-old Guizhou native Tao Huabi, the founder of the well-known chilli sauce brand Lao Gan Ma, which means “old godmother” in English. Founded in 1997, Lao Gan Ma is deeply ingrained in Chinese culture and is pretty much everywhere that Chinese people live. Like sriracha, it’s branched out into the wider public consciousness through pages like the Lao Gan Ma Appreciation Society on Facebook, where members share their creative ways to enjoy the sauce, such as with avocado.
But this was Tao’s time to be thrust into the fashion spotlight. Her iconic portrait from the jar’s label was printed on hoodies that were sold at Opening Ceremony’s store on Broadway. Besides Tao’s portrait, this chic red product also includes the phrases “sauces queen” and “national diva” (in Chinese) on the sleeves. Specially made black aprons with “sauces queen” and the Chinese characters for “Lao Gan Ma” were also on stylish offer.
Interestingly, Lao Gan Ma wasn’t the only Chinese company involved in this crossover event. Famed herbal medicine brand Yunnan Baiyao and bottled water giant Hanyangquan also joined the party. The pop-up events at Fashion Week may have been relatively small, but these Chinese brands’ ambition to go global is clear.
As the mercury drops, 43-year-old Chinese brand Bosideng presents a stylish collection to keep you warm and snug
As the mercury drops, 43-year-old Chinese brand Bosideng presents a stylish collection to keep you warm and snug
Lifestyle > Fashion |
November 7, 2018 / by China Daily Lifestyle Premium
Chinese down-jacket maker Bosideng made quite a splash with the unveiling of its 2019 spring/summer collection at New York Fashion Week, challenging market-dominant brands including Moncler and Canada Goose. Committed to producing top-quality garments, Bosideng, founded in 1975, has long enjoyed a leading position in the Chinese market, much of that, has struggled to reach a younger audience. Unlike the older generation, who tend to focus more on warmth and durability, fashionability is part of the game for younger shoppers – and Bosideng hasn’t always ranked high on that scale.
However, the brand’s New York Fashion Week debut could be the turning point to change all that. In cooperation with famed fashion stylist Law Roach, supermodel Alessandra Ambrosio walked the runway for Bosideng as Hollywood actors Anne Hathaway and Jeremy Renner watched from the front row. Featuring references to traditional Chinese architecture and painting, this much-anticipated show presented a blend of high-technology fabrics and ancient eastern cultural elements, with a palette of black, white and grey, adorned with touches of yellow, red and silver. The jackets are also practical, as the fabric is both waterproof and windproof. Winter is coming, but if you’re stuck out in the icy winds wearing a piece from this reborn Chinese clothing brand, you’ll certainly stay warm – and chic.
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